Hakone Garasunomori Museum's 30th Anniversary Exhibition Opens July 18 — da Vinci's Phantom Glass Recreated and Free VTuber Audio Guide Available

Published: June 2, 2026
Hakone Garasunomori Museum's 30th Anniversary Exhibition Opens July 18 — da Vinci's Phantom Glass Recreated and Free VTuber Audio Guide Available

All paintings introduced in this exhibition are displayed as reproductions.

Marking its 30th anniversary in August 2026, Hakone Garasunomori Museum will hold the special exhibition "Venetian Glass in Paintings: Hakone Garasunomori Museum Collection" from July 18, 2026 (Saturday) through January 11, 2027 (Monday, public holiday), with no closures during the period.

Glass has accompanied humanity for approximately 4,000 years. Throughout history, painters around the world have been captivated by its mysterious transparency and shimmering light, depicting glassware in many of their celebrated works. The exhibition follows the history of craft through "Venetian glass depicted in Western paintings," presenting approximately 100 masterpieces from the museum's collection alongside 22 reproduction paintings from a fresh perspective.

30th Anniversary Special Page

Two Major Highlights for the 30th Anniversary

1. Leonardo da Vinci's Imaginary "Phantom Vase" Recreated by a Modern Master

In Leonardo da Vinci's Madonna of the Carnation (c. 1475), a colorless, transparent vase appears beside the figure—a vessel widely considered to be one da Vinci imagined but that would have been impossible to produce with the technology of his time.

For this exhibition, five historical works including this phantom vase have been recreated. The recreations were made under the supervision of glass craft historian Rosa Barovier Mentasti and with the special cooperation of Davide Fuin, a maestro glassblower from Murano Island, Venice.

Leonardo da Vinci, *Madonna of the Carnation*, c. 1475 (reproduction), Alte Pinakothek, Munich © Bayerische Staatsgemäldesammlungen

Davide Fuin, *Leonardo's Vase*, 2026 (recreation), Hakone Garasunomori Museum

Gabriele Salci, *Fruit, Crystal Glass and Musical Instruments*, 1716 (reproduction), Liechtenstein, The Princely Collections, Vaduz-Vienna ©LIECHTENSTEIN, The Princely Collections, Vaduz-Vienna/SCALA, Florence

Davide Fuin, *Lace Glass Covered Goblet with Floral and Bird Decoration*, 2026 (recreation), Hakone Garasunomori Museum

2. Free Audio Guide Narrated by VTuber Juufuutei Raden

To help visitors explore the exhibition more deeply, Juufuutei Raden—a VTuber affiliated with hololive production who holds a museum curator certification—will narrate the audio guide (10 tracks, approximately 15 minutes total).

The guide is accessible free of charge on visitors' own smartphones at the venue throughout the exhibition period.

Exhibition Structure (5 Chapters)

The exhibition traces the full story of Venetian glass through paintings—from its origins to its golden age, and through its decline and eventual revival.

Chapter 1: Painters Who Fell in Love with Venetian Glass

Tracing the history of "painted glass" reveals how artists were drawn to the mysterious nature of glass, repeatedly reaching for their brushes to capture its transparency and shimmering light. Above all, what captivated them most was the delicate, elegant, and radiant Venetian glass. This opening chapter sets the stage for a journey through the Venetian glass that painters fell in love with.

*Lion-Shaped Pitcher*, mid-16th century, Venice, Hakone Garasunomori Museum

Giorgione & Titian, *Pastoral Concert*, c. 1510 (reproduction), Louvre Museum, Paris ©New Picture Library / Summerfield Press

*Dragon-Decorated Pitcher*, 19th century, Venice, Hakone Garasunomori Museum

Chapter 2: The Golden Age of Venetian Glass (Mid-15th to 16th Century)

In the mid-15th century, Venetian glassmakers succeeded in creating cristallo—a high-purity, colorless, transparent glass—making Venetian glass the envy of European royalty and aristocracy. This chapter features Renaissance-era paintings depicting Venetian glass alongside masterpieces from the museum's 15th–16th century collection.

Vincenzo Catena, *Supper at Emmaus*, c. 1520 (reproduction), Uffizi Gallery, Florence ©Gabinetto Fotografico delle Gallerie degli Uffizi

*Dotted Floral Cup*, 16th century, Venice, Hakone Garasunomori Museum

Peter Gertner, *Crucifixion*, 1537 (reproduction), Walters Art Museum, Baltimore ©The Walters Art Museum, Baltimore

*Lace Glass Covered Goblet*, late 16th–early 17th century, Venice, Hakone Garasunomori Museum

Chapter 3: Venetian Glass in Still Life Paintings (17th–18th Century)

From the 17th century onward, the Netherlands saw a rise in the "still life" genre of painting, combining natural objects such as flowers and fruit with man-made items like metalware and glassware. Façon de Venise (Venetian-style) glass appeared frequently in these works. This chapter presents Venetian glass as depicted in still life paintings from the museum's collection.

Caravaggio, *Bacchus*, c. 1598 (reproduction), Uffizi Gallery, Florence ©Gabinetto Fotografico delle Gallerie degli Uffizi

*Diamond-Point Engraved Lace Cup*, 16th century, Venice, Hakone Garasunomori Museum

Christian Berentz, *An Elegant Collation*, 1717 (reproduction), Gallerie Corsini, Rome ©Gallerie Nazionali di Arte Antica, Roma (MiC) - Bibliotheca Hertziana, Istituto Max Planck per la storia

*Diamond-Point Engraved Floral Wine Glass*, 17th century, Venice or the Netherlands, Hakone Garasunomori Museum

Chapter 4: Venetian Glass in Celebration Banquets

As a flourishing hub of East-West trade, the Republic of Venice hosted lavish banquets to entertain dignitaries from many nations. This chapter pairs paintings of Venetian celebrations with glassware from the museum's collection that graced these magnificent feasts.

Workshop of Pietro Longhi, *The Banquet at the Nani Villa*, 1755 (reproduction), Ca' Rezzonico, Venice ©Photographic Archive – Fondazione Musei Civici di Venezia

*Lace Glass Compote*, early 17th century, Venice, Hakone Garasunomori Museum

Giuseppe Recco, *Still Life with Glass, Pottery, Flowers and a Servant*, 1679 (reproduction), Casa de Pilatos, Seville ©Casa de Pilatos, Sevilla(España). Fundacion Casa Ducal de Medinaceli

*Lace Glass Covered Container*, 16th century, Venice, Hakone Garasunomori Museum

Chapter 5: The Decline and Revival of Venetian Glass (19th–20th Century)

The fall of the Republic of Venice at the end of the 18th century brought the glassmaking industry on Murano Island to the brink of collapse. Two key figures emerged in Antonio Salviati and Vincenzo Zanetti, who breathed new life into Venetian glass and helped modernize the industry. This final chapter features Venetian glass from the 19th century onward, reflecting the revival of Murano Island's glassmaking heritage.

Vittorio Emanuele Bressanin, *Mosaic Mural at Palazzo Salviati*, 1924 (reproduction), Palazzo Salviati, Venice

*Dolphin-Footed Red Compote*, 19th century, Venice, Salviati Workshop, Hakone Garasunomori Museum

Ubaldo Oppi, *The Prodigal Son*, 1924 (reproduction), Private Collection ©Mondadori Portfolio/Bridgeman Images

*Dragon-Decorated Compote*, c. 1880, Venice, Salviati Workshop, Hakone Garasunomori Museum

Exhibition Overview

Title: Venetian Glass in Paintings: Hakone Garasunomori Museum Collection

Period: July 18, 2026 (Saturday) to January 11, 2027 (Monday, public holiday) — Open throughout, no closures

Organized by: Hakone Garasunomori Museum, Mainichi Newspapers

Supported by: Embassy of Italy, Istituto Italiano di Cultura, Fondazione Musei Civici di Venezia, Hakone Town

Exhibition Website: https://www.hakone-garasunomori.jp/event/exhibition_2026/

Hakone Garasunomori Museum

Address: 940-48 Sengokuhara, Hakone Town, Ashigarashimo District, Kanagawa Prefecture 250-0631

TEL: 0460-86-3111

Facilities: Venetian Glass Museum, Contemporary Glass Museum, Experience Workshop, Café Restaurant

Hours: 10:00 AM to 5:30 PM (last entry 5:00 PM)

Admission: Adults ¥1,800 | High school/university students ¥1,300 | Elementary/junior high school students ¥600

Official Website: https://www.hakone-garasunomori.jp